Falstrom's work evokes a meditative peace bemused with fantasy. Earthy, golden yellows trickle in layers over simple, analytical, animated brushstrokes. Cross-hatched, teal blues form a muddied, fertile earth ripe with June blooming flowers in "Silent Meeting." Transparent, filmy paint gradations reveal sketched petals of individual blossoms peering from the somber, sparse ground above which two bricklike feet stand - or float? A clay-toned, still waterscape, "Floating Stones," is suggestive of Monet's nympheas murals, but careful and atmospherically faery-touched. A small-scale diptych, "Little Mountains Sant Angelo," achieves depth and realism with masterful half-inch wide strokes - every brush bristle leaving a tale-telling testament to the artist's intentional yellow, green, blue and purple mountain landscape. Falstrom's warm oil paintings are illuminated with yellow hues, evoking a comfortable serenity and a spiritual tranquility. The soft gallery lighting compliments the calm mood of the work. The "Tangle" series of solitary, abstract, tangled, pseudo-organic masses breathe a life of their own. Falstrom's oil paintings, graphite and charcoal drawings are sublimely delightful. Her etchings are superb. Through July 7, 2001; (317) 916-6062. - Mary Lee Pappas
An art critique as well as exhibition preview and overview archive spanning from 1999 to 2012 by Mary Lee Pappas, the art critic for the alternative weekly newspaper, NUVO, and visual arts columnist for the daily paper, The Indianapolis Star. Indianapolis, Indiana.
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Thursday, June 28, 2001
Amy Falstrom - Woodburn and Westcott - June 28, 2001 - 4 stars
Falstrom's work evokes a meditative peace bemused with fantasy. Earthy, golden yellows trickle in layers over simple, analytical, animated brushstrokes. Cross-hatched, teal blues form a muddied, fertile earth ripe with June blooming flowers in "Silent Meeting." Transparent, filmy paint gradations reveal sketched petals of individual blossoms peering from the somber, sparse ground above which two bricklike feet stand - or float? A clay-toned, still waterscape, "Floating Stones," is suggestive of Monet's nympheas murals, but careful and atmospherically faery-touched. A small-scale diptych, "Little Mountains Sant Angelo," achieves depth and realism with masterful half-inch wide strokes - every brush bristle leaving a tale-telling testament to the artist's intentional yellow, green, blue and purple mountain landscape. Falstrom's warm oil paintings are illuminated with yellow hues, evoking a comfortable serenity and a spiritual tranquility. The soft gallery lighting compliments the calm mood of the work. The "Tangle" series of solitary, abstract, tangled, pseudo-organic masses breathe a life of their own. Falstrom's oil paintings, graphite and charcoal drawings are sublimely delightful. Her etchings are superb. Through July 7, 2001; (317) 916-6062. - Mary Lee Pappas
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