An art critique as well as exhibition preview and overview archive spanning from 1999 to 2012 by Mary Lee Pappas, the art critic for the alternative weekly newspaper, NUVO, and visual arts columnist for the daily paper, The Indianapolis Star. Indianapolis, Indiana.
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Wednesday, January 30, 2002
“Behold” Sandy Day and Sara Vanderkleed – Hoosier Salon – Jan. 30, 2002 – 2 1/2 stars
Day's strength is with oils. Her stronger, bolder brushstrokes in oil paint befit her sometimes heavy-handed style, creating a maze of yellows, greens and pinks in representational, painterly spots of color, like in the foreground of "Thistle Down," one of many pleasant, tranquil, easy-breezy landscapes. Her true-to-life-color pastel people and landscapes are on the traditionally illustrative side. Vanderkleed's abstracted fields of deep and warm-toned watercolors undulate into dreamy wave landscapes (that turn out to be not that abstract at all after all), made possible by her carefree handling, risk and fate-trusting strokes. One artist's work compliments the other and both are successfully shown together. Through Feb. 15, 2002; 317-253-5340. -Mary Lee Pappas
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